“Lace, Comb, Apple” – Spanish Translation and Interview

My short story “Lace, Comb, Apple”, originally published in The Dark, has been translated into Spanish by Voces de lo insólito. Huge thanks to Aitana Vega Casiano and Carla B. Estruch for the translation!

Alongside the translation, I also had the opportunity to conduct an interview. The Spanish version of the interview is available on the Voces de lo insólito Patreon. I have included the English version below:

 

What was the inspiration for Lace, Comb, Apple?

It was August 16, 2020. For a dream-like six months, I lived in a small town in rural Ontario. Back in Toronto—my once and future home—the Toronto Science Fiction and Fantasy Writers was hosting our annual one-shot anthology challenge: a day when writers are asked to complete a short story within 24 hours, to be compiled in a themed anthology.

The theme that year was Outsiders. My temporary absence from Toronto—my own status as an outsider, if you will—posed no challenge at all. The global pandemic had swept many in-person activities onto the shores of the internet. For the first time, our one-shot anthology had gone fully virtual.

And the theme? When I heard the word Outsiders, my thoughts immediately strayed to the mirror in Snow White. The world behind a mirror is, in some ways, another universe. Who was this mirror? Who were they to judge, regarding the fairest woman of the land? And if they were capable of passing judgement, surely they had other thoughts, emotions, desires. So how did they feel about being only a mirror, of having only a singular portal into the queen’s world?

In the end, I never published “Lace, Comb, Apple” in the Outsiders anthology. I wrote a second story that day (still within the 24-hour limit), called “The Last Leviathan,” which was included in Outsiders. For “Lace, Comb, Apple,” I decided to take a little more time with it, to polish it into its final form, which is the one that was published in The Dark.

 

Fairytales are originally dark, despite Disney’s efforts to convince us of the opposite. Are there any other classic stories that you would like to give a new twist?

I would like to give Sleeping Beauty another go. I tried to write a retelling a few years ago, but it grew into a novel-length monster sitting at the crossroads of three different genres—not at all the short story I set out to write. Perhaps I’ll try again from a different angle. Or perhaps I will finish the triple-genre novel.

Another thing I want to work on would be retellings of eastern legends, mythology, and folk tales—something outside of the classic western fairy tales (as much as I enjoy them!).

 

Nowadays, retellings are everywhere. Why do you feel classic fairy tales attract contemporary writers so much?

I think it’s the combination of the familiar with the strange. The shape of the original fairy tale is familiar to us, while the retelling adds in something different: a fresh perspective, a deeper or different exploration of a character, or even just bringing out little-known parts of the original fairy tale (e.g. some of the darker and more gruesome parts that are sanitized in adaptations).

 

Are you working on something right now? Are there any new stories coming out soon?

I am working on two fantasy novels: one is court drama meets revenge tale, and another is a coming-of-age story set in the same universe as two of my short stories (“The Lady of Butterflies” and “Dress of Ash”).

I still write short stories in between working on the novels. I don’t have any current announcements, but I hope to have something soon!

 

What have you been reading, watching, listening to recently? Something interesting to recommend to our readers?

I’ve been listening to a lot of audiobooks lately; they keep me company on my commute to work.

In terms of a recommendation: for anyone who enjoyed “Lace, Comb, Apple” and would like to read another Snow White retelling, I recommend Girls Made of Snow and Glass by Melissa Bashardoust. It is an engaging novel filled with both heartwarming moments and painful ones, centred around the strong bond between two women—and how that bond is challenged amidst tragedy.